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Galactic Blog/2006年11月27日/連コ厨についてテキトーに考えてみる。 #blognavi
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一時リンク置き場 配列のクローンの作成 Array クラスには、配列のコピーを作成する組み込みメソッドは用意されていません。 配列の "浅いコピー" （参照のみ）、"深いコピー"（実態コピー） http //www.adobe.com/livedocs/flex/201_jp/html/10_Lists_of_data_166_5.html http //ameblo.jp/n2works/page-2.html サウンド http //hakuhin.hp.infoseek.co.jp/main/as3/sound.html http //cs3book.flashoop.jp/wiki/index.php?AS3%E3%81%A7%E6%89%B1%E3%81%86%E3%82%B5%E3%82%A6%E3%83%B3%E3%83%89 【AS3入門】読み込み可能なMP3ファイルのフォーマット AS3 での Embed の話 【AS3入門】続・読み込み可能なMP3ファイルのフォーマット（追検証とLAMEの仕様について） mp3というフォーマットと特許・著作権 LAME 3.98 stable コマンドラインオプション Lame Win用バイナリ配布 lame -b 64 --resample 44.1 source.wav destination.mp3 ActionScript3.0 における音楽再生と停止 AS3でwavファイルをEmbedしたりエフェクトかけたり（要POPFORGE） 3分で作れる、Flashに使える効果音クッキング 第38回 Flashムービーに外部MP3ファイルを読み込んでみよう http //itpro.nikkeibp.co.jp/article/COLUMN/20070223/263058/ Jiglibflash is a as3 open source 3D physics http //code.google.com/p/jiglibflash/ Simple AS3 Contact Form Using PHP http //active.tutsplus.com/freebies/actionscript-30-classes/simple-as3-contact-form-using-php/ 3D、ゲーム、物理エンジン、トゥイーンなど、ActionScript3用便利ライブラリ集 http //phpspot.org/blog/archives/2008/08/3dactionscript3.html ActionScript で描画内容を JPEG ファイルとして保存するコード http //kawa.at.webry.info/200907/article_3.html Flashで3Dゲームを作成するには http //oshiete1.goo.ne.jp/qa2211974.html Creating 3D Classes with ActionScript 2.0 http //www.adobe.com/devnet/flash/articles/3d_classes.html How well does Macromedia Flash do 3D? http //www.adobe.com/devnet/flash/articles/samurai_ch2.html Flex基礎講座（パート1） はじめてのFlexアプリケーション開発 http //codezine.jp/article/detail/106?p=2 Flex基礎講座（パート3） コンテナの利用 http //codezine.jp/article/detail/108 セッションサーバーの実装 http //d.hatena.ne.jp/viver/20080317/p1 Flex FAQ コーディング関連 http //www.geocities.jp/takuji_kawata/faq/faq_coding3.htm 第2回Flex勉強会 http //www.fores.jp/labs/wiki/index.php?%E7%AC%AC2%E5%9B%9EFlex%E5%8B%89%E5%BC%B7%E4%BC%9A nullとundefinedはほぼ同等だが、「===」で比較すると別扱いになる。 //こちらはtrue if(null == undefined) { } //これだとfalse if(null === undefined) { } 変数のスコープは{}ブロック単位ではなく関数単位なので、以下の例のようにfor文で使う「i」などの変数名が重複するとコンパイル時に警告が出てしまうので注意 private function foo() void { //forループその1 for(var i int = 0; i 3; i++) { } //forループその2 for(var i int = 0; i 5; i++) { } } AS3で配列の要素に入る型を指定する方法 http //www.noridon.net/weblogs/archives/2006/06/as3.html 配列を扱う_Flash http //ft-lab.ne.jp/cgi-bin/wiki.cgi?page=%C7%DB%CE%F3%A4%F2%B0%B7%A4%A6_Flash TileListからCanvasへドラッグ＆ドロップしたい。 http //www.fxug.net/modules/xhnewbb/viewtopic.php?topic_id=1220&forum=2&post_id=5069 アクティベーションオブジェクトによるメモリリーク http //www.imajuk.com/blog/archives/2008/04/post_3.html 同じ親を持つクラスをひとつの変数で使いまわす http //blog.initt.org/?cat=148 Flex3基礎講座(第1章 AdvancedDataGridを使う) http //www.necst.co.jp/product/ibiz/column/flex3/chap1.html SQLiteのDB操作を追加してAIRウィジェットを完成 http //www.atmarkit.co.jp/fwcr/rensai2/airwidget04/airwidget04_3.html Flex3におけるMixinに関して http //prepro.wordpress.com/2009/08/23/flex3%E3%81%AB%E3%81%8A%E3%81%91%E3%82%8Bmixin%E3%81%AB%E9%96%A2%E3%81%97%E3%81%A6/ Flex SDK を Mate と PHP と組み合わせて使う http //www.ibm.com/developerworks/jp/opensource/library/os-php-flexsdk/index.html ActionScriptメモ.txt http //homepage2.nifty.com/takaaki024/tips/programs/flex/actionscript3.html マウスの動きで10個のアイコンを変化させる http //cesare.jp/as3/tutorial/tutorial_4 クロスプラットフォームなAIRアプリ開発時の注意点 〜Dockアイコンやタスクトレイアイコンについて〜 http //flashcast.jp/blog/2009/02/airdock.html IBM ILOG Elixir：AIRでExcel XMLスプレッドシート形式のファイルを読む http //builder.japan.zdnet.com/member/u522342/blog/2009/09/29/entry_27025172/ Vol.3 モダンJavaScript http //www.xenophy.com/technology/ux/pdg/javascript/javascript01.html ActionScript 3.0におけるパフォーマンス向上のヒント http //www.fumiononaka.com/Sample/Adobe_MAX_Japan_2009/FA090130.html コリン・ムック「今から始めるActionScript 3.0」に行ってきました 「変数には値そのものが格納されているわけじゃない。変数は値の参照を持っているだけ」 「変数はコンテナではない。参照を持つ事のみ可能。本来のコンテナはシステムメモリ」 http //www.func09.com/wordpress/archives/176 ActionScript 3.0とは http //www.saturn.dti.ne.jp/~npaka/flash/as30/ Flex User Group http //www.fxug.net/ モーショントゥイーン http //hikipuro.is-a-geek.org/flash/game/sample/s022.php http //livedocs.adobe.com/flex/3_jp/langref/mx/effects/package-detail.html ActionScript3での音生成 http //technote.gabocoy.com/archives/000336.php スーパー高速に射影変換するには http //saqoosha.net/2009/05/25/1750/ Box2DでActionScript物理プログラミング http //gihyo.jp/dev/feature/01/box2d クラスメンバーとインスタンスメンバーの違い http //www.1art.jp/flash9/chapter/140/ 「表示リスト」とインスタンス http //d.hatena.ne.jp/tomtomjacktom/20090311/1236773174 第5回 「表示リスト」で画面上のインスタンスの階層や重ね順を管理する http //itpro.nikkeibp.co.jp/article/COLUMN/20071129/288309/?ST=webdesign&P=1 ランダム Math.random() でランダムな整数を取得する方法 http //www.adobe.com/jp/support/kb/ts/228/ts_228622_ja-jp.html Math.random() で任意の範囲のランダムな数を得たい http //d.hatena.ne.jp/yukku0423/20090414/1239677185 random関数 http //www.ajaxtower.jp/js/math_class/index8.html グループ化したテキストにアクセス・・ http //tenten100.blog123.fc2.com/blog-entry-245.html 第90回 Webで動画を楽しもう！ http //www.tdk.co.jp/techmag/knowledge/200804/index.htm FLASH関連用語集 http //www.mitsue.co.jp/case/design/f_index.html 第1回：ざっくり解説 - Flash Liteの仕様 http //thinkit.jp/article/734/1/
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Exporting to Your Animation Package Once you are happy with the object paths and tracker positions, use the Export menu items to save your scene. The following options are currently available (note that this list is constantly being expanded; check the web site) · 3ds max 4 or later (Maxscript). Should be usable for 3D Studio MAX 3 as well. Separate versions for 3dsmax 5 and earlier, and 3dsmax 6 and later. · After Effects (via a special maya file) · Bentley Microstation · Blender · Carrara · Cinema 4D (via Lightwave scene) · Combustion · ElectricImage (less integrated due to EI import limitations) · FLAIR motion control cameras (Mark Roberts Motion Control) · Flame (3-D) · Fusion 5 · Hash Animation Master. Hash 2001 or later. · Houdini · Inferno 3-D Scene. · Lightwave LWS. Use for Lightwave, Cinema 4D · Maya scene file · Mistika · Motion – 2-D · Nuke (D2 Software, subsidiary of Digital Domain) · Particle Illusion · Poser · Realsoft 3D · Shake (several 2-D/2.5-D plus Maya for 3-D scenes) · SoftImage XSI, via a dotXSI file · Toxik · trueSpace · Vue 5 and 6 Infinite · VIZ (via 3ds Max scene) SynthEyes offers a scripting language, SIZZLE™, that makes it easy to modify the exported files, or even add your own export type. See the separate SIZZLE User Manual for more information. New export types are being added all the time, check the export list in SynthEyes and the support site for the latest packages or beta versions of forthcoming exporters. General Procedures You should already have saved the scene as a SynthEyes file before exporting. Select the appropriate export from the list in the File/Exports area. SynthEyes keeps a list of the last 3 exporters used on the top level of the File menu as well. Hint SynthEyes has many exports. To simplify the list, clickScript/System Script Folder, create a new folder “Unused” in it, and move all the scripts for applications you do not use into that folder. You will have to repeat this process when you later install new builds, however. There is also an export-again option, which repeats the last export performed by this particular scene file, with the most-recently-used export options, without bring up the export-options dialog again to save time for repeated exports. When you export, SynthEyes uses the file name, with the appropriate file extension, as the initial file name. By default, the exported file will be placed in a default export folder (as set using the preferences dialog). In most cases, you can either open the exported file directly, or if it is a script, run the script from your animation package. For your convenience, SynthEyes puts the exported file name onto the clipboard, where you can paste it (via control-V or command-V) into the open-file dialog of your application, if you want. (You can disable this from the preferences panel if you want.) Note that the detailed capabilities of each exporter can vary somewhat. Some scripts offer popup export-control dialogs when they start, or small internal settings at the beginning of each Sizzle script. For example, 3ds max does not offer a way to set the units from a script before version 6 and the render settings are different, so there slightly different versions for 3dsmax 5 and 6+. Settings in the Maya script control the re-mapping of the file name to make it more suitable for Maya on Linux machines. If you edit the scripts, using a text editor such as Windows’ Notepad, you may want to write down any changes as they must be re-applied to subsequent upgraded versions. Be aware that not all packages support all frame rates. Sometimes a package may interpret a rate such as 23.98 as 24 fps, causing mismatches in timing later in the shot. Or one package may produce 29.96 vs 29.97 in another. Handle image sequences and use frame counts rather than AVIs, QTs, frame times, or drop-frame time codes wherever possible. TheCoordinate System control panel offers an Exportable checkbox that can be set for each tracker. By default, all trackers will be exported, but in some cases, especially for compositors, it may be more convenient to export only a few of the trackers. In this case, select the trackers you wish to export, hit control-I to invert the selection, then turn off the checkbox. Note that particular export scripts can choose to ignore this checkbox. Setting the Units of an Export SynthEyes uses generic units a value of 10 might mean 10 feet, 10 meters, 10 miles, 10 parsecs—whatever you want. It does not matter to SynthEyes. This works because match-moving never depends on the overall scale of the scene. SynthEyes generally tries to export the same way as well—sending its numbers directly as-is to the selected animation or compositing package. However, some software packages use an absolute measurement system where, for instance, Lightwave requires that coordinates in a scene file always be in meters. If you want something else inside Lightwave, it will automatically convert the values. For such software, SynthEyes needs to know what units you consider yourself to be using within SynthEyes. It doesn’t care, but it needs to tell the downstream package the right thing, or pre-scale the values to match your intention. To set the SynthEyes units selection, use the Units setting on the SynthEyes preferences panel. Changing this setting will not change any numbers within SynthEyes; it will only affect certain exports. The exports affected by the units setting are currently these · After Effects (3-D) · Hash Animation Master · Lightwave · 3ds max · Maya · Poser Before exporting to one of these packages, you should verify your units setting. Alternatively, if you observe that your imported scene has different values than in SynthEyes, you should check the units setting in SynthEyes. Hint if you will be exporting to acompositing package, they often measure everything, including 3-D coordinates, in terms of pixels, not inches, meters, etc. Be sure to pick sizes for the scene that will work well in pixels. While you might scale a scene for an actor 2m tall, if you export to a compositor and the actor is two pixels tall that will rarely make sense. Image Sequences Different software packages have different conventions and requirements regarding the numbering of image sequences whether they start at 0 or 1, whether there are leading zeroes in the image number, and whether they handle sequences that start at other numbers flexibly. For example, if you have a shot that originally had frames img1.tif-img456.tif, but you are using only images img100.tif-img150.tif of it, SynthEyes will normally consider it as a 51 frame shot, starting with frame 0 (img100.tif) or, withFirst frame is 1preference on, as frame 1 at img100.tif. Other software sometimes requires that their frame numbers match the file number, so img100.tif must always be frame 100, no matter what frame# they normally start at. SynthEyes gives you the option to pad the beginning of IFLs with extra copies of the first frame, so that the SynthEyes frame number matches the image frame number, by turning on the Match frame# s preference. While this sounds simple, it will cause trouble for many of the exports. It is especially a problem if you do not have the unused frames, as is often the case. By being aware of these differences, you will be able to recognize when your particular situation requires an adjustment to the settings—typically when there is a shift between the camera path animation and the imagery. Generic 2-D Tracker Exporters There are a number of similar exporters that all output 2-D tracker paths to various compositing packages. Why 2-D, you protest? For starters, SynthEyes tracking capabilities can be faster and more accurate. But even more interestingly, you can use the 2-D export scripts to achieve some effects you could not with the compositing package alone. For image stabilizing applications, the 2-D export scripts will average together all the selected trackers within SynthEyes, to produce a synthetic very stable tracker. For corner-pinning applications, you can have SynthEyes output not the 2-D tracker location, but the re-projected location of the solved 3-D point. This location can not only be smoother, but continues to be valideven if the tracker goes off-screen. So suppose you need to insert a painting into an ornate picture-frame using corner pinning, but one corner goes off-screen during part of the shot. By outputting the re-projected 3-D point (Use solved 3-D points checkbox), the corner pin can be applied over the entire shot without having to guess any of the path. Taking this idea one step further, you can create an “extra” point in 3-D in SynthEyes. Its re-projected 2-D position will be averaged with any selected trackers; if there are none, its position will be output directly. So you can do a four-corner pin even if one of the corners is completely blocked or off-screen. By repeating this process several times, you can create any number of synthetic trackers, doing a four-corner insert anywhere in the image, even where there are no trackable features. Of course, you could do this with using a 3-D compositing environment, but that might not be simplest. At present, there are compatible 2-D exporters for AfterEffects, Digital Fusion, Discreet (Combustion/Inferno/Flame), Particle Illusion, and Shake. Note that you will need to import the tracker data file (produced by the correct SynthEyes exporter) into a particular existing tracker in your compositing package. There is also a 2-D exporter that exports all tracker paths into a single file, with a variety of options to change frame numbers and u/v coordinates. A similar importer can read the same file format back in. Consequently, you can use the pair to achieve a variety of effects within SynthEyes, including transferring trackers from SynthEyes file to SynthEyes file, as described in the section onMerging Files and Tracks. This format can also be imported by Fusion. Generic 3-D Exporters There are several 3-D exports that produce plain text files. You can use them for any software SynthEyes don’t already support, for example, non-visual-effects software. You can also use them as a way to manipulate data with little shell, AWK, or Perl scripts, for example. Importantly, you can also use them as a way to transfer data between SynthEyes scene files, for example, to compute some tracker locations to be used by a number of shots. There are several ways to do this, see the section onMerging Files and Tracks. The generic exports are Camera/Object Path for a path, Plain Trackers for the 3-D coordinates of trackers and helper points, and corresponding importers. You can import 3-D locations to create either helper points, or trackers. This latter option is useful to bring in surveyed coordinates for tracking. After Effects 3-D Procedure 1. Export to After Effects in SynthEyes to produce a (special) .ma file. 2. In After Effects, do a File/Import File 3. Change Files of Type to All File Formats 4. Select the .ma file 5. Double-click the Square-whatever composition 6. Re-import the original footage 7. Click File/Interpret Footage/Main and be sure to check the frame rate and pixel aspect. 8. Rewind to the beginning of the shot 9. Drag the re-imported footage from the project window into the timeline as the first layer 10.Tracker nulls have a corner at the active point, instead of being centered on the active point as in SynthEyes. After Effects 2-D Procedure 1. Select one or more trackers to be exported. 2. Export using the After Effects 2-D Clipboard. You can select either the 2-D tracking data, or the 3-D position of tracker re-projected to 2-D. 3. Open the text file produced by the export 4. In the text editor, select all the text, using control-A or command-A. 5. Copy the text to the clipboard with control-C or command-C. 6. In After Effects, select a null to receive the path. 7. Paste the path into it with control-V or command-V. Bentley MicroStation You can exporter to Bentley s Microstation V8 XM Edition by following these directions. Exporting from SynthEyes MicroStation requires that animated backgrounds consist of a consecutive sequence of numbered images, such as JPEG or Targa images. If necessary, the Preview Movie capability in SynthEyes s Perspective window can be used to convert AVIs or MOVs to image sequences. Perform tracking, solving, and coordinate system alignment in SynthEyes. (Exporting coordinates from MicroStation into SynthEyes may be helpful) File/Export/Bentley MicroStation to produce a MicroStation Animation (.MSA) file. Save the file where it can be conveniently accessed from MicroStation. The export parameters are listed below. SynthEyes/MicroStation Export Parameters Target view number. The view number inside MicroStation to be animated by this MSA file (usually 2) Scaling. This is from MicroStation s Settings/DGN File Settings/Working Units, in the Advanced subsection the resolution. By default, it is listed as 10000 per distance meter, but if you have changed it for your DGN file, you must have the same value here. Relative near-clip. Controls the MicroStation near clipping-plane distance. It is a “relative” value, because it is multiplied by the SynthEyes world size setting. Objects closer than this to the camera will not be displayed in MicroStation. Relative view-size.Another option to adjust as needed if everything is disappearing from view in MicroStation. Relative far-clip. Controls the MicroStation far clipping-plane distance. It is a “relative” value, because it is multiplied by the SynthEyes world size setting. Objects farther than this from the camera will not be displayed in MicroStation. Importing into MicroStation Open your existing 3-D DGN file. Or, create a new one, typically based on seed3d.dgn Open the MicroStation Animation Producer from Utilities/Render/Animation File/Import .MSA the .msa file written by the SynthEyes exporter. Set the View Size correctly—this isrequiredto get a correct camera match. Settings/Rendering/View Size Select the correct view # (typically 2) Turn off Proportional Resize Set X and Y sizes as follows. Multiply the height(Y) of your image, in pixels, by the aspect ratio (usually 4 3 for standard video or 16 9 for HD) to get the width(X) value. For example, if your source images are 720x480 with a 4 3 aspect ratio, the width is 480*4/3 = 640, so set the image size to X=640 and Y=480, either directly on the panel or using the “Standard” drop-down menu. This process prevents horizontal (aspect-ratio) distortion in your image. Hit Apply Turn Proportional Resize back on Close the view size tool On the View Attributes panel, turn on the Background checkbox. Bring up the Animation toolbar (Tools/Visualization/Animation) and select the Animation Preview tool. You can dock it at the bottom of MicroStation if you like. If you scrub the current time on the Animation Preview, you’ll move through your shot imagery, with synchronized camera motion. Unless you have some 3-D objects in the scene, you won’t really be able to see the camera motion, however. If desired, use the Tools/3-D Main/3-D Primitives toolbar to create some test objects (as you probably did in SynthEyes). To see the camera cone of the camera imported from SynthEyes, bring up Tools/Visualization/Rendering, and select the Define Camera tool. Select the view with the SynthEyes camera track as the active view in the Define Camera tool, and turn on the Display View Cone checkbox. Transferring 3-D Coordinates If you would like to use within MicroStation the 3-D positions of the trackers, as computed by SynthEyes, you can bring them into MicroStation as follows. You have the option of exporting only a subset of points from SynthEyes to MicroStation. All trackers are exported by default; turn off the Exportable checkbox on the coordinate system panel for those you don’t wish to export. You may find it convenient to select the ones you want, then Edit/Invert Selection, then turn off the box. In SynthEyes, File/Export/Plain Trackers with Set Names=none, Scale=1, Coordinate System=Z Up. This export produces a .txt file listing all the XYZ tracker coordinates. In MicroStation, bring up the Tools/Annotation/XYZ Text toolbar. Click the Import Coordinates tool. Select the .txt file exported from SynthEyes in Step 1. Set Import=Point Element, Order=X Y Z, View=2 (or whichever you are using). Transferring Meshes SynthEyes uses two types of meshes to help align and check camera matches mesh primitives, such as spheres, cubes, etc; and tracker meshes, built from the computed 3-D tracker locations. The tracker meshes can be used to model irregular areas, such as a contoured job site into which a model will be inserted. Both types of models can be transferred as follows In SynthEyes, select the mesh to be exported, by clicking on it or selecting it from the list on the 3-D panel. Select the File/Export/STL Stereolithography export, and save the mesh to a file. In MicroStation, select File/Import STL and select the file written in step 2. You can use the default settings. Meshes will be placed in MicroStation at the same location as in SynthEyes. You can bring up its Element/Information and assign it a material. To Record the Animation Select the Record tool on the Animation toolbar (Tools/Visualization/Animation) Important Be sure the correct (square pixels) output image size is selected, the same one as the viewport size. For example, if your input is 4 3 720x480 DV footage, youMUSTselect640x480output to achieve 4 3 with square pixels (ie 640/480 = 4/3). MicroStation always outputs square pixels. You can output images with any overall aspect you wish, as long as the pixels are square (pixelaspect ratio is 1.0). Note that HD images already have square pixels. Don’t clobber your input images! Be sure to select a different location for your output footage than your input. Blender Directions Blender has a tendency to change around frequently, so the details of these directions might best be viewed more as a guide than the last word. When working with image sequences and blender, it will be a good idea to ensure that the overall frame number is the same as the number in the image file name. Although you can adjust the offset, Blender incorrectly eliminates a frame number of zero. 1. In SynthEyes, export to Blender (Python) 2. Start Blender 3. Delete the default cube and light 4. Change one of the views to the blender Text Editor 5. In the text editor, open the blender script you exported in step 1. 6. Hit ALT-P to run the script 7. Select the camera (usually Camera01) in the 3-D Viewport 8. In a 3-D view, select Camera on the View menu to look through the imported, animated, SynthEyes camera 9. Select View/Background image 10.Click Use Background Image 11.Select your image sequence or movie from the selection list. 12.Adjust the background image settings to match your image. Make sure the shot length is adequate, and that Auto Refresh is on. If the images and animation do not seem to be synced correctly, you probably have to adjust the offset. 13.Decrease the “blend” value to zero, or you can go without the background, and set up compositing within blender. 14.On the View Properties dialog, you might wish to turn off Relationship Lines to reduce clutter. 15.Use a Timeline view to scrub through the shot. Cinema 4D Procedure 1. Export from SynthEyes in Lightwave Scene format (.lws) — see below. 2. Start C4D, open the .lws file 3. From the Objects menu, add a Background 4. Create a new Texture with File/New down below. 5. At right, click on “…” next to the file name for texture. 6. Select your source file. 7. Click on the right-facing triangle button next to the file name, select Edit. 8. Select the Animation panel 9. Click the Calculate button at the bottom. 10.Drag the new texture from the texture editor onto the “Background” on the object list. Background now appears in the viewport. DotXSI Procedure 1. In SynthEyes, after completing tracking, do File/Export/dotXSI to create a .xsi file somewhere. 2. Start Softimage, or do a File/New. 3. File/Import/dotXSI... of the new .xsi file from SynthEyes. The options may vary with the XSI version, but you want to import everything. 4. Set the camera to Scene1.Camera01 (or whatever you called it in SynthEyes). 5. Open the camera properties. 6. In the camera rotoscopy section, select New from Source and then the source shot. 7. Make sure “Set Pixel Ratio to 1.0” is on. 8. Set “Use…” pixel ratio to “Camera Pixel Ratio” (should be the default) 9. In the Camera section, make sure that Field of View is set to Horizontal. 10.Make sure that the Pixel Aspect Ratio is correct. In SynthEyes, select Shot/Edit Shot to see the pixel aspect ratio. Make sure that XSI has the exact same value 0.9 isnota substitute for 0.889, so fix it! Back story XSI does not have a setting for 720x480 DV, and 720x486 D1 causes errors! 11.Close the camera properties page. 12.On the display mode control (Wireframe, etc), turn on Rotoscope. ElectricImage The ElectricImage importer relies on a somewhat higher level of user activity than normal, in the absence of a scripting language for EI. You can export either a camera or object path, and its associated trackers. 1. After you have completed tracking in SynthEyes, select the camera/object you wish to export from the Shots menu, then select File/Export/Electric Image. SynthEyes will produce two files, an .obm file containing the trajectory, and an .obj file containing geometry marking the trackers. 2. In ElectricImage, make sure you have a camera/object that matches the name used in SynthEyes. Create new cameras/objects as required. If you have Camera01 in SynthEyes, your camera should be Camera 1 in EI. The zero is removed automatically by the SynthEyes exporter. 3. Go to the Animation pull-down menu and select the Import Motion option. 4. In the open dialog box, select All Files from the Enable pop-up menu, so that the .obm file will be visible. 5. Navigate to, and select, the .obm file produced by SynthEyes. This will bring up the ElectricImage motion import dialog box which allows you to override values for position, rotation, etc. Normally, you will ignore all these options as it is simpler to parent the camera/object to an effector later. The only value you might want to change is the start time to offset when the camera move begins. Click OK and you will get a warning dialog about the frame range. This is a benign warning that sets the range of frames rendering option to match the length of the incoming camera data. Hitting cancel will abort the operation, so hit OK and the motion data will be applied to the camera. 6. Select Import Object from the Object pull-down menu. 7. Enable All Files in the pop-up menu. 8. Select the .obj file produced by SynthEyes. 9. Create a hierarchy by selecting one tracker as the parent, or bringing in all trackers as separate objects. 10.If you are exporting an object path, parent the tracker object to the object holding the path. Fusion 5 There are several Fusion-compatible exporters. The main exporter is the Fusion 5 composition export, which can be opened directly in Fusion. The Tracker 2-D Paths export can write all the exportable trackers to a text file, which can then be read in Fusion with the Import SynthEyes Trackers script and assigned to any Point-type input on a node. Select a node and start the Import script from its right-click menu. At present, it appears that you should animate the desired control before importing, then tell the script to proceed anyway when it notices that the control is already animated. There is also a generic 2-D path exporter for Fusion. Houdini Instructions 1. File/New unless you are addding to your existing scene. 2. Open the script Textport 3. Typesource c /shots/scenes/flyover.cmd or equivalent. 4. Change back from COPs to OBJs. Lightwave The Lightwave exporter produces a lightwave scene file (.lws) with several options, one of them crucial to maintaining proper synchronization. As mentioned earlier, Lightwave requires a units setting when exporting from SynthEyes. The SynthEyes numbers are unitless by changing the units setting in the lightwave exporter as you export, you can make that 24 in SynthEyes mean 24 inches, 24 feet, 24 meters, etc. This is different than in Lightwave, where changing the units from 24 inches would yield 2 feet, 0.61 meters, etc. This is the main setting that you may want to change from scene to scene. Lightwave has an obscure preferences-like setting on its Compositing panel (on the Windows menu) named “Synchronize Image to Frame.” The available options are zero or one. Selecting one shifts the imagery one frame later in time, and this is the Lightwave default. However, for SynthEyes, a setting of zero will generally be more useful (unless the SynthEyes preferenceFirst Frame is 1is turned on). The Lightwave exporter from SynthEyes allows you to select either 0 or 1. We recommend selecting zero, and adjusting Lightwave to match. You will only have to do this once, Lightwave remembers it subsequently. In all cases, you must have a matching value on the exporter UI and in Lightwave, or you will cause a subtle velocity-dependent error in your camera matches in Lightwave that will drive you nuts until you fix the setting. The exporter also has a checkbox for using DirectShow. This checkbox applies only for AVIs, and should be on for most AVIs that contain advanced codecs such as DV or HD. If an AVI uses an older codec and is not opened automatically within Lightwave, export again with this checkbox turned off. Nuke The nuke exporter produces a nuke file you can open directly. The pop-up parameter panel lets you indicate if you have a slate frame at the start of the shot, or select renderable or non-rendering tracker marks. The renderable marks are better for tracking, the non-rendering marks better for adding objects within Nuke s 3-D view. Poser Poser struggles a little to be able to handle a match-moved camera, so the process is a bit involved. Hopefully Curious Labs will improve the situation in further releases. The shot must have square pixels to be used properly by Poser; it doesn t understand pixel aspect ratios. So if you have a 720x480 DV source, say, you need to resample it in SynthEyes, AfterEffects or something to 640x480. Also, the shot has to have a frame rate of exactly 30 fps. This is a drag since normal video is 29.97 fps, and Poser thinks it is 29.00 fps, and trouble ensues. One way to get the frame rate conversion without actually mucking up any of the frames is to store the shot out as a frame sequence, then read it back in to your favorite tool as a 30 fps sequence. Then you can save the 640x480 or other square-pixel size. Note that you can start with a nice 720x480 29.97 DV shot, track it in SynthEyes, convert it as above for Poser, do your poser animation, render a sequence out of Poser, then composite it back into the original 720x480. One other thing you need to establish at this time---exactly how many frames there are in your shot. If the shot ranges are 0 to 100, there are 101; from 10 to 223, there are 214. 1. After completing tracking in SynthEyes, export using the Poser Python exporter. 2. Start Poser. 3. Set the number of frames of animation, at bottom center of the Poser interface, to the correct number of frames. It is essential that you do this now, before reading the python script 4. File/Run Python Script on the python script output from SynthEyes. 5. The Poser Dolly camera will be selected and have the SynthEyes camera animation on it. There are little objects for each tracker, and also SynthEyes boxes, cones, etc are brought over into Poser. Open Question How to render out of Poser with the animated movie background. The best approach appears to be to render against black with an alpha channel, then composite over the original shot externally. Shake SynthEyes offers three specific exporters for Shake, plus one generic one 1. MatchMove Node. 2. Tracker Node 3. Tracking File format 4. 3-D Export via the “AfterFX via .ma” or Maya ASCII exports. The first two formats (Sizzle export scripts) produce shake scripts (.shk files); the third format is a text file. The fourth option produces Maya scene files that Shake reads and builds into a scene using its 3-D camera. We’ll start with the simplest, the tracking file format. Select one tracker and export with the Shake Tracking File Format, and you will have a track that can be loaded into a Shake tracker using the load option. You can use this to bring a track from SynthEyes into existing Shake tracking setups. Building on this basis, #2, Tracker Node, exports one or more selected trackers from SynthEyes to create a single Tracker Node within Shake. There are some fine points to this. First, you will be asked whether you want to export the solved 3-D positions, or the tracked 2-D positions. These values are similar, but not the same. If you have a 3-D solution in SynthEyes, you can select the solved 3-D positions, and the export will be the “ideal” tracked (predicted) coordinates, with less jitter than the plain 2-D coordinates. Also, since you might be exporting from a PC to a Mac or Linux machine, the image source file(s) may be named differently perhaps X \shots1\shot1_#.tga on the PC, and //macmachine/Users/tom/shots/shot1_#.tga on the PC. The Shake export script s dialog box has two fields, PC Drive and Mac Drive, that you can set to automatically translate the PC file name into the Mac file name, so that the Shake script will work immediately. In this example, you would set PC Drive to “X \\” and Mac Drive to “//macmachine/Users/tom/”. Finally, the MatchMove node exporter looks not for trackers to export, but for SynthEyes planes! Each plane (created from the 3-D panel) is exported to Shake by creating four artificial trackers (in Shake) at the corners of the plane. The matchmove export lets you insert a layer at any arbitrary position within the 3-D environment calculated by SynthEyes. For example, you can insert a matte painting into a scene at a location where there is nothing to track. You can use a collection of planes, positioned in SynthEyes, to obtain much of the effect of a 3-D camera. The matchmove node export also provides PC to Mac/Linux file name translation. trueSpace Directions Warning trueSpace has sometimes had problems executing the exported script correctly. Hopefully Caligari will fix this soon. 1. In SynthEyes, export to trueSpace Python. 2. Open trueSpace. 3. Right-click the Play button in the trueSpace animation controls. 4. Set the correct BaseRate/PlayRate in the animation parameters to match your source shot. 5. Open the Script Editor. 6. From inside the Script Editor, Open/Assign the python script you created within SynthEyes. 7. Click Play (Time On) in the Script Manager. 8. When the Play button turns off, close the ScriptManager. 9. Open the Object Info panel. 10.Verify that the SynthEyes camera is selected (usually Camera01). 11.Change the Perspective view to be View from Object. 12.Select the Camera01Screen. 13.Open the Material Editor (paint pallete). 14.Right click on Color shaders button. 15.Click on (Caligari) texture map, sending it to the Material Editor color shader. 16.Open the subchannels of the Material Editor (Color, Bump, Reflectance). 17.On the Color channel of the Material Editor, right click on the Get Texture Map button and select your source shot. 18.Check the Anim box. 19.Click the Paint Object button on the Material Editor. 20.Click on File/Display Options and change the texture resolution to 512x512. 21.You may want to set up a render background to overlay animated objects on the background, or you can use an external compositing program. Make the Camera01Screen object invisible before rendering. 22.In trueSpace, you need to pay special attention to get the video playback synchronized with rest of the animation, and to get the render aspect ratio to match the original. For example, you must add the texture map while you are at frame zero, and you should set the pixel aspect ratio to match the original (SynthEyes s shot panel will tell you what it is). Vue 5 Infinite The export to Vue Infinite requires a fair number of manual steps pending further Vue enhancements. But with a little practice, they should only take a minute or two. 1. Export from SynthEyes using the Vue 5 Infinite setting. The options can be left at their default settings unless desired. You can save the python script produced into any convenient location. 2. Start Vue Infinite or do a File/New in it. 3. Select the Main Camera 4. On its properties, turn OFF Always keep level 5. Go to the animation menu, turn ON the auto-keyframe option. 6. Select the Python/Run python script menu item, select the script exported from SynthEyes, and run it. 7. In the main camera view, select the Camera01 Screen object (or the equivalent if the SynthEyes camera was renamed) 8. In the material preview, right-click, select Edit Material. 9. The material editor appears, select Advanced Material Editor if not already. 10.Change the material name to flyover or whatever the image shot name is. 11.Select the Colors tab. 12.Select Mapped picture 13.Click the left-arrow Load icon under the black bitmap preview area 14.In the Please select a picture to load dialog, click the Browse File icon at the bottom --- a left arrow superimposed on a folder 15.Select your image file in the Open Files dialog. If it is an image sequence, select the first image, then shift-select the last. 16.On the material editor, under the bitmap preview area, click the clap-board animation icon to bring up the Animated Texture Options dialog 17.Set the frame rate to the correct value. 18.Turn on Mirror Y 19.Hit OK on the Animated Texture dialog 20.On the drop-down at top right of the Advanced Material Editor, select a Mapping of Object- Parametric 21.Turn off Cast shadows and Receive shadows 22.Back down below, click the Highlights tab 23.Turn Highlight global intensity down to zero. 24.Click on the Effects tab 25.Turn Diffuse down to zero 26.Click the Ambient data-entry field and enter 400 27.Hit OK to close the Advanced Material Editor 28.Select the Animation/Display Timeline menu item (or hit F11) 29.If this is the first time you have imported from SynthEyes to Vue Infinite, you must perform the following steps a. Select File/Options menu item. b. Click the Display Options tab c. Turn off Clip objects under first horizontal plane in main view only , otherwise you will not be able to see the background image. d. Turn off Clip objects under first horizontal plane (ground / water) e. Turn off Stop camera going below clipping plane (ground / water) if needed by your camera motion. f. Hit OK 30.Delete the Ground object 31.If you are importing lights from SynthEyes, you can delete the Sun Light as well, otherwise, spin the Sun Light around to point at the camera screen, so that the image can be seen in the preview window. 32.You may have to move the time bar before the image appears. Vue Infinite only shows the first image of the sequence, so you can verify alignment at frame zero. 33.You will later want to disable the rendering of the trackers, or delete them outright. 34.Depending on what you are doing, you may ultimately wish to delete or disable the camera screen as well, for example, if you will composite an actor in front of your Vue Infinite landscape. 35.The import is complete; you can start working in Vue Infinite. You should make probably save a copy of the main camera settings so that you can have a scratch camera available as you prepare the scene in Vue Infinite. Vue 6 Infinite Export from SynthEyes using the Vue 6 Infinite option, producing a maxscript file. Import the maxscript file in Vue 6 Infinite Adjust the aspect ratio of the backdrop to the correct overall aspect ratio for your shot. This is important since Vue assumes square pixels, and if they aren’t (for all DV, say), the camera match will be off badly
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"Extension of Tabled 0L-Systems and Languages" (1973) ET0L-Systemを提案した論文。L-System系の言語理論(developmental language)の方向で、Chomsky系の形式言語理論に親和性が高い形にまとめたのがこの研究。良いClosure Propertyを持っていたり（Full AFL）、文脈自由言語を真に含んでいたりする。 Grzegorz Rozenberg International Journal of Computer and Information Sciences, Vol. 2, No. 4, pp. 311-336, 1973 http //dx.doi.org/10.1007/BF00985664 これ以前のL-System系のシステムと違って、非終端記号と終端記号の区別を入れたのがポイントなのだと思う。 ET0L とは Ｇ＝ Ｖ,Σ,ω,Ｐ Ｖ： alphabet. 非終端記号と終端記号の集合 Σ： target alphabet. 終端記号の集合（⊆ Ｖ） ω： axiom. 開始文字列（∈Ｖ*） Ｐ： table. 導出規則のテーブル = {P1, ..., Pn} Pi： a - α の形の"導出規則"の有限集合。ただしa∈Ｖ,α∈Ｖ*。Piはcomplete（∀a∈Ｖ aから始まる導出規則が存在） １ステップの書き換え s = t は Ｐからどれか一つPiを選ぶ s = a1a2...an, a1- α1∈Pi, ..., an- αn∈Pi のとき t=α1...αn で定義される。Gの定義する言語は L(G) = {t∈Σ* | ω= *t}。 各PiがDeterministicな場合（つまり、∀a∈Ｖ aから始まる導出規則が"唯一"存在な場合）、システム自体がDeterministicであるという。EDT0L と書く。αが常に空文字列でないような場合を Productive という。 CFG との関係 1ステップで全体を並行して一気に書き換えるのがポイント。どのPiを使ったかによって、導出の深さが同じところの間でなんとなくシンクロがとられて、文脈自由を越える言語が書ける。 T0L との関係 Ｖ＝ΣなのがT0L。非終端記号と終端記号の区別を入れたのがET0L。 E0L との関係 |Ｐ|=1 なのが E0L。テーブルが複数種類あるのが ET0L。 0L-System との関係 Ｖ＝Σで|Ｐ|=1なのが0L。 L-System との関係 0L は L の拡張ではなく制限なので注意。 "Surface Tree Languages and Parallel Derivation Trees" (1976) ET0L = yield(T(MON))。ET0L言語族は、monadic treeを入力言語としてTop-down Tree Transducerで生成できる木のyield(葉を左から右に並べた文字列)として得られる言語族に等しい。また、deterministic 版についても EDT0L = yield(DT(MON)) が成り立つ。 Joost Engelfriet Theoretical Computer Science, vol 2. pp. 9-27 http //dx.doi.org/10.1016/0304-3975(76)90003-7
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Galactic Blog/2006年09月27日/(・∀・)ｸｳｷﾖﾝﾃﾞｶｴﾚ！ #blognavi
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Vehicle Churchill AVRE Categories British Vehicles | Vehicles From CoH-Stats Jump to navigation, search ?? Contents 1 Tactics 2 History 3 Requires 3.1 Churchill AVRE 4 Called In Using 4.1 Churchill AVRE 5 Vehicle Abilities 5.1 Hull Down Position 5.2 Fire Petard Mortar Round 6 Vehicle Weapons 6.1 AVRE 6.2 Besa Hull MG Churchill AVRE Health 700 Max Speed 3.75 Sight 35 Cost 30050 Acceleration 1.5 Detection 0/0 Time 30 Deceleration 3.5 Hotkey Population 14 Rotation 22 Target Type armour_churchill Upkeep 9.9984 Crush Human true Critical Type armour Crush Mode crush_heavy Rear Damage Enabled true Tactics The Churchill Tank can only be used with the Royal Engineers Doctrine. The Petard Mortar Cost Munitions to use, so use wisely. Petard Mortar Rounds can destroy building and emplacements in one or two hits. The Petard Mortar can also be used to engage units, but it does not do a good job at that and should be used for support mostly. History The Churchill AVRE, short for Armoured Vehicle Royal Engineers, was a specialist engineering variant of the Churchill IV Infantry Tank. Armed with a 290mm Spigot Mortar, the AVRE was ineffective for tank combat and meant for leveling emplacements and fortifications. The short-ranged mortar carried a significant high explosive charge, and the Churchill s armour allowed it to close-in on defenses that would have knocked out a lighter tank. However loading the mortar required a crew member to expose themselves and manually insert the shell. Their numbers were few and concentrated in the 79th Armoured Division. Requires Churchill AVRE [Expand][Hide] Cost 2 Time Hotkey Effects The Churchill AVRE can use its devastating Petard Mortar to smash through enemy obstacles. ?ESee Upgrade Churchill AVRE for details. Called In Using Churchill AVRE [Expand][Hide] Cost 600 Activation targeted Duration 0 Target tp_any Recharge 60 Hotkey Effects The rugged Churchill provides the chassis for a variety of modifications designed to breach Normandy beach defenses. The AVRE fires a massive 290mm HESH warhead that can flatten buildings and defenses. ?ESee Ability Churchill AVRE for details. Vehicle Abilities Hull Down Position [Expand][Hide] Cost Activation toggle Duration _ Target tp_any Recharge 0 Hotkey D Effects Tank can be toggled into and out of a Hull Down Position, which offers more protection to the vehicle. ?ESee Ability Hull Down Position for details. Fire Petard Mortar Round [Expand][Hide] Cost 35 Activation targeted Duration _ Target tp_entity_and_position Recharge 20 Hotkey P Effects Fire the 290mm Petard Spigot Mortar round to clear obstacles, buildings, crewed weapons, and infantry. ?ESee Ability Fire Petard Mortar Round for details. Vehicle Weapons AVRE [Expand][Hide] Weapon AVRE See Weapon AVRE for details. Besa Hull MG [Expand][Hide] Weapon Besa Hull MG See Weapon Besa Hull MG for details. Retrieved from http //www.coh-stats.com/Vehicle Churchill_AVRE
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#blognavi トレーニングしすぎで筋肉痛です。 ～DVD!DVD!～ http //www.tbs.co.jp/anime/to-love-ru/ ■TBS 『To LOVEる』 PV配信開始！ まずは動いてる美柑のために見るよ。 http //blog.livedoor.jp/jin115/archives/51190271.html ■アイマスのダウンロードコンテンツ売上が半年で2億円もUPしてる件 L4Uでさらに拍車がかかるでしょうね。やるお自重ｗ http //news4vip.livedoor.biz/archives/51116392.html ■もしも初音ミクがアニメ化したら・・・ 恋する、みっくみく、メルトがOPになる。 http //urasoku.blog106.fc2.com/blog-entry-277.html ■親父の部屋に1枚のDVD-Rが落ちてた 完結 この前の続き、まさかの展開ですよっ！ http //vipvipblogblog.blog119.fc2.com/blog-entry-142.html ■DQ3の僧侶の日記があった あれ･･･ネタかと思ったらドツボにハマっていくよ･･･。 ～恐怖のニコニコ～ http //www.nicovideo.jp/watch/sm2082490 ■【頭が】Windowsのグルメレース【エラー】 あぁもう怖いよ怖いって！！ http //www.nicovideo.jp/watch/sm2069673 ■新訳・涼宮ハルヒの憂鬱 ～男には興味ありません～ このセンスは素晴らしすぎるだろ！！！自重の嵐だ！！！ http //www.nicovideo.jp/watch/sm2095008 ■【ロックマンX】エックス【ウサテイ】 何もかもがうますぎるんですが！ゼロちょｗ http //www.nicovideo.jp/watch/sm2073062 ■かか＠ろっと 【ドラゴンボールＺ超武闘伝２でふぃぎゅ＠】 オチｗｗｗｗｗｗ http //www.nicovideo.jp/watch/sm2094211 ■「呪いの館」のキャラクターを描いてみた。 もうクソゲーが台無しだよ！！いいから販売を！！ http //www.nicovideo.jp/watch/sm2095935 ■ウサテイ × 自動マリオシーケンサ 合いすぎね！自動マリオ底がないわぁ。 ～歌ってみたヒャダルコ～ http //www.nicovideo.jp/watch/sm1969921 ■FF 5 で、ひとりアカペラ え、ひとり･･･？これはラーニングできない。 http //www.nicovideo.jp/watch/sm2037296 ■DQ4 第二章で、ミュージカル あのぉ、どんだけー？ 小ネタもうめぇ。 http //www.nicovideo.jp/watch/sm2075629 ■『DQ4 第二章で、ミュージカル』に勝手に絵をつけてみた 絵がつきました、またNHKみんなの歌が増えました。 http //www.nicovideo.jp/watch/sm1768003 ■クラッシュマンで、やらないか これが最初なんだ、クセになるというか頭に残る。 ～バカロイド～ http //www.nicovideo.jp/watch/sm2097776 ■「男女」アホの子増し増し改良ver.【ﾊﾞｶｲﾄ＆ﾍﾀﾚﾝ】 超進化して帰ってきたﾟ∀ﾟ)o彡ﾌｩﾌｩ♪ﾟ∀ﾟ)o彡ﾌｩﾌｩ♪ http //www.nicovideo.jp/watch/sm2088347 ■【初音ミク】ＤＴＭってなぁに？ 【オリジナル曲】 ﾉﾉﾉﾉﾉﾉﾉﾉﾉﾉﾉﾉﾉｵｵﾉﾉﾉ http //www.nicovideo.jp/watch/sm2091914 ■【ミク・リンレン】歌声戦士ヴォーカロイダー にイメージを付けた。 サムネで分かるニコニコ専属マンガ家さんｋｔｋｒ！ http //www.nicovideo.jp/watch/sm2090579 ■Ievan Polkka(ロイツマ)をVOCALOIDで合唱させてみた＋α？(修正・画質向上版) 姉さんの暴走が止まりませんよ！！！ ～カオス再び～ http //www.nicovideo.jp/watch/sm2094287 ■アイドルマスター 「motto」 このノリは楽しいな、らぶちーを思いだした。アピール合いすぎ！ http //www.nicovideo.jp/watch/sm2087096 ■【雪歩】jelly kiss【真】 友情なら仕方ない、つか正しいよね？ http //www.nicovideo.jp/watch/sm2099300 ■［敏腕P］一騎当千のアイドル候補生達の営業［悶絶］ 一発目 出た超問題作の続編！自重なんてしなくていいよ！いいぞもっとやれ！ もう突っ込みが！胃に穴が！止まりません！！ カテゴリ [ニュース日記] - trackback- 2008年01月22日 03 41 33 #blognavi
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#blognavi ～一般サイトニュース～ http //blog.livedoor.jp/geek/archives/50795495.html ■「かなめも」アニメ化＆「けいおん！1巻」幻のオビ かなめもがナニメ化！？マジで！？ http //yunakiti.blog79.fc2.com/blog-entry-2112.html ■『ホワイトアルバム』 PC版 漫画版 アニメ版 PS３版 比較 昔は「え～･･･ら～・ＹＯＵかよ･･･」今「カワタさんヒャッホーイ！！！」 http //blog.livedoor.jp/dqnplus/archives/1210221.html ■『ドラクエ』シリーズの泣けるエピソードベスト3 泣ける系だとやっぱりⅤかなぁ。Ⅳの主人公もアレだけど。 http //www.gpara.com/article/cms_show.php?c_id=11337 c_num=14 ■平均合計額、知ってます？ 小中学生のお年玉事情2009 私はありがたいことに平均以上いつも貰ってました。そのかわり小遣いなしですが。 http //workingnews.blog117.fc2.com/blog-entry-1734.html ■リアルアイドルマスターやってたけど質問ある？ アニソンなどのＣＤは曲だけじゃないですからね。一般ＣＤは曲聴ければいいや的なのがあるかも。 http //blog.livedoor.jp/hekky360/archives/647760.html ■はわわと言ったら別の人 ググったらまじでした。えぇー･･･。 http //alfalfa.livedoor.biz/archives/51421378.html ■【閲覧注意】死刑より辛く厳しい刑を考えるス 私がよく思うのは１２・３３ですね。世界中の人間がやればかなりの電力になりそうだから。 ～今日のオススメ～ http //www.nicovideo.jp/watch/sm5900429 ■涼宮ハルヒたんの憂鬱 クオリティあがりすぎでしょＪＫ！！みくる黒いｗｗｗ古泉がんばれｗｗｗ長門はふつ･･･！？ http //www.nicovideo.jp/watch/sm5891580 ■へんたい東方三週目５ 前編 もこうまかんｗ今回は久々にへんたいです。登場人物がおかしいｗｗｗ誰か心配しろよｗｗｗ http //www.nicovideo.jp/watch/sm5883398 ■【へんたい東方】キャラクター人気投票二週目・結果発表【公認】 マジで乙すぎる編集です！まさかの19位ｗ17位に負けたのかよ18位ｗまさかの12位ｗｗｗ 9位まさかのｗｗｗｗｗｗ5位は流石、4位はｍｊｄ！？3位からブラクラ演出ｗｗｗよかったね！！！ 2位はそうきたか！！！！！！！てことは･･･1位ヒャハーーーイ！！！！！！！！！！！！！！！！ 紅魔組がやっぱ強いですねー。ＢＧＭもやっぱ気持ちいいなー。スタッフロールマジでお疲れです！！ http //www.nicovideo.jp/watch/sm5892766 ■ぎゃらくしぃ東方 出ｗｗｗオｗｗｗチｗｗｗ病院逃げてーーーｗｗｗプリーンはやられたｗｗｗ意味不ｗｗｗｗｗｗ http //www.nicovideo.jp/watch/sm5892170 ■紅い月が欠けるとき 2/4【東方手書き】 レミパチェがロリすぎますいいぞもっとや（ｒｙ ｲｲﾊﾅｼｽｷﾞﾙｰ。おまけが本編ですね、わｋ（ｒｙ http //www.nicovideo.jp/watch/sm5892419 ■【初音ミク】庇護祭【PV】 もうアニメじゃないですか。公開はいつですか？ ～ランキング～ http //www.nicovideo.jp/watch/sm5890905 ■週刊ニコニコランキング #89 (1月第3週) いきなり塩分の高いｗｗｗ実況強いなー。まっくすすげぇ！保坂までｗｗｗヒストリー繋がったｗ http //www.nicovideo.jp/watch/sm4164304 ■「？でわっしょい」のピッチを下げたら、光GENJIっぽかった。 ピックアップ。だいたいあってるｗｗｗｗ ～実況～ http //www.nicovideo.jp/watch/sm5894233 ■最終鬼畜ゲームを実況プレイ その８ 【前編】 出オチですねｗｗｗカタカタカタカタカタカタカタカタ。オチはですよねーｗｗｗ http //www.nicovideo.jp/watch/sm5888231 ■マリオカートWii まったり実況プレイ Part23 ロリｗｗｗｗｗみそにげてーｗｗｗしかしまさかの没ｗｗｗコイケヤ会の予言すげぇｗｗｗｗｗｗｗ http //www.nicovideo.jp/watch/sm5889634 ■マリオカートWii まったり実況プレイ Part24 たかひろくん覚醒してないｗｗｗいな！さんおいしいなｗｗｗ http //www.nicovideo.jp/watch/sm5891063 ■マリオカートWii まったり実況プレイ Part25 れいさんかわいいよ！いちゃいちゃ動画ｗｗｗコナミコマンド大成功！ぜんごんｗｗｗ http //www.nicovideo.jp/watch/sm5895658 ■マリオカートはったり実況プレイ part2 【みやこ視点】 同じくらいロリコンということですねｗｗｗｗ ～京アニ関連～ http //www.nicovideo.jp/watch/sm5895700 ■【MAD】らき☆すた・オブ・イエー【ナイト・オブ・ナイツ】 いいカオスでした。とてもカオスでした。病院は逃げるべきです。技術の無駄遣い！ ～東方関係～ http //www.nicovideo.jp/watch/sm5894153 ■手描き【みょんな星間飛行】完成版 なんてちちましいんだ･･･。 http //www.nicovideo.jp/watch/nm5896418 ■霊夢と魔理沙に着ぐるみ着せて行進させてみた これはモフりたい！！！ ～歌って・演奏して・描いてみた～ http //www.nicovideo.jp/watch/sm5885622 ■【どＭ＆どＭ子】 気分上々↑↑歌ってみた。【ひとりコラボ】 いやこれは可愛すぎやしないか！？ここまで綺麗なピッチ変更もすげぇ！ カテゴリ [ニュース日記] - trackback- 2009年01月21日 07 27 42 #blognavi
https://w.atwiki.jp/0-0idol/pages/12.html
プロダクション概要 名前 0-0プロダクション(らぶおーる-) 規模 大手プロダクション 所在地 神奈川県内 所属アイドル数 不明 業種 エンターテインメント総合事業 代表 愛井零ニ 理念 「全ての人に愛を！」「初心忘れるべからず！」「どんな勝負も最初は0-0から！」 所属アイドル グループ名 担当プロデューサー Pa4mans 桜木 mast/nova 桜木
https://w.atwiki.jp/jasagiri/pages/85.html
Google Wave 。 一時保存 ■ログイン Preview：https //wave.google.com/wave DevPreview：https //wave.google.com/a/wavesandbox.com/ PygoWave：http //pygowave.net/accounts/login/ ■各種設定 GoogleWave用Gmainインタフェースにアクセスして設定変更 = 左下コンタクトリストを左クリック（すぐ離さず、しばらく押して離すとよい） 以下は初期インタフェースがすでにある メール(Gmail) カレンダー(Google Calender) ドキュメント(Google Docs) チャット・連絡先(Google Talk) グループ： http //groups.google.co.jp/group/google-wave-api-japan 旧： http //groups.google.co.jp/group/google-wave-developers-japan?lnk=srg hl=ja http //groups.google.co.jp/group/google-wave-api-japn?hl=ja API解説 http //sites.google.com/a/gclue.jp/wave/ ■ドキュメント和訳（asano氏） http //sites.google.com/site/iaspectrumlibrary/ ■本家 blog http //googlewavedev.blogspot.com/ ■wave 技術追ってる方blog (ksk氏) http //waveproto.blogspot.com/ ■利用ガイド（英語） http //completewaveguide.com/guide/The_Complete_Guide_to_Google_Wave デスクトップアプリ化（MacOS X） http //d.hatena.ne.jp/tanemori/20091018/MakeGoogleWaveappWithFluid ■ WaveRobot絵付きJavaTutorial Creating A Google Wave Extension In 5 Steps Rave：Wave Robot API for ruby WaveOnRubyFirstStep Shiny GadgetEmulator http //wave.thewe.net/ ■ WDE09のUIデザイナレポート ゲームプラットフォーム考 流れ。 with public で全体に公開されているWaveを検索 with public 使えなくなった group public@a.gwave.com を使うこと ↓ 興味のありそうな話題に参加 =---いまここ ↓ ヒト探し 「in inbox to MYACCOUNT @googlewave.com」で自分宛てメッセージを表示 コンタクトリストに「public@a.gwave.com」を追加すると自分のWaveを公開できる。PC単位に設定が必要らしい コンタクトリストに「bouncy-wave@appspot.com」を追加して、「bounce XXXXX（ボットのアドレス）」でBANできる コンタクトリストに「sweepy-wave@appspot.com」を追加して Wave作ると空メッセージを削除してくれる 「with me」：自分が作成したWaveを検索 「by me」：自分が更新したWaveを検索 「tag ほげ 」：タグ ほげ が付いているWaveを検索 「has ふが 」：＜ふが＞が添付されているWaveを検索 has image で画像付き -has image で画像なし datamapper や datanucleus に OT include して protobuf や MessagePack で被せたら幸せか？ 巷ではリアルタイムとかコミュニケーションツールとかが前面に出ていますが、最も重要なのは「バージョン管理された更新履歴のあるドキュメントを作成できる」だと思う。OperationalTransformation万歳。 それにしても、Ted Nelson の Project Xanadu が引き合いにでないのはなぜだ。 WaveDebug WaveProtocol コトハジメ。（windows） JDK6。 http //java.sun.com/javase/ja/6/download.html JREはインストールしない。（javacが見えなくなる） 環境変数JAVA_HOME設定 Apache Ant。 http //ant.apache.org/bindownload.cgi PATH通す。 mercurial。 http //bitbucket.org/tortoisehg/stable/wiki/install から TortoiseHG 本体と日本語化レジストリをダウンロードしてインストール 0.8.1でもだめ文字は駄目みたい。 ソースダウンロードとコンパイル WAVE_HOME http //code.google.com/p/wave-protocol/source/checkout cd wave-protocol ant dist OpenSSLインストール http //www.slproweb.com/products/Win32OpenSSL.html から Win32 OpenSSL v0.9.8k Light Visual C++ 2008 Redistributables をダウンロードしてインストールする。 環境変数PATHにbinを通す。 cd WAVE_HOME openssl genrsa 1024 | openssl pkcs8 -topk8 -nocrypt -out waveca .key openssl req -new -x509 -nodes -sha1 -days 365 -key waveca .key -out waveca .cert Common Nameにwave serverで一意になる名前をつける。（DNS名：マイコンピュータプロパティのフルコンピュータ名）（FQDNが吉） 他はデフォルト[Enter]で可。 waveca は任意。 は使えない。 windows用の起動スクリプトを用意。 CERTIFICATE_DOMAIN_NAMEとXMPP_SERVER_SECRETは後で使うので覚えておく。 run-server.cmd set PRIVATE_KEY_FILENAME= waveca .key set CERTIFICATE_FILENAME_LIST= waveca .cert set CERTIFICATE_DOMAIN_NAME= DNSNAME set XMPP_SERVER_HOSTNAME=%CERTIFICATE_DOMAIN_NAME% set XMPP_SERVER_IP=%XMPP_SERVER_HOSTNAME% set XMPP_SERVER_SECRET= opensesame java -jar dist/fedone-0.2.jar --client_frontend_hostname=127.0.0.1 --client_frontend_port=9876 --xmpp_component_name=wave --xmpp_server_hostname=%XMPP_SERVER_HOSTNAME% --xmpp_server_ip=%XMPP_SERVER_IP% --xmpp_server_port=5275 --xmpp_server_secret %XMPP_SERVER_SECRET% --xmpp_server_ping="" --certificate_private_key=%PRIVATE_KEY_FILENAME% --certificate_files=%CERTIFICATE_FILENAME_LIST% --certificate_domain=%CERTIFICATE_DOMAIN_NAME% --waveserver_disable_verification=true クライアント。run-server.cmdに設定した DNSNAME を設定。 run-client.cmd set WAVE_SERVER_DOMAIN_NAME= DNSNAME set WAVE_SERVER_HOSTNAME=127.0.0.1 set WAVE_SERVER_PORT=9876 set USER_NAME = %1@%WAVE_SERVER_DOMAIN_NAME% echo "running client as user %USER_NAME%" java -jar dist/fedone-client-0.2.jar %USER_NAME% %WAVE_SERVER_HOSTNAME% %WAVE_SERVER_PORT% run-client.cmd admin とかで使う。 OpenFireインストール OpenFire_HOME /bin/openfire.exe を実行。 起動したらLanchAdminボタンを押す。 English DNSNAME Embedded Database default admin@mailadress pass 一度再起動しないと有効にならないぽい。（stop - start） ユーザ名はadmin固定ぽい。 Server Server Setting External Components ：Service Enabled = Enabled run-server.cmdに設定した XMPP_SERVER_SECRET かな？ ：Allowed to Connect = whitelist wave run-server.cmdに設定した XMPP_SERVER_SECRET かな？ Server Server Setting Security Settings ：Server Connection Security = Custom で Accept self-signed にチェック Server Server Setting Registration Login ：すべて Disable Server Server Setting Compression Settings ：Enable Server Server Setting File Transfer Settings ：Disable windowsでは /new しても 新しい wave が作られない。 http //d.hatena.ne.jp/kotas/20090611/wave1 http //www.lifehacker.jp/2009/06/090611google_wave.html http //www.infoq.com/jp/news/2009/06/wave オペレーショントランスフォーメーション(Operational Transformation)(OT) http //en.wikipedia.org/wiki/Operational_transformation コミュニティ原則：http //www.waveprotocol.org/wave-community-principles プロトコル：http //www.waveprotocol.org/whitepapers/internal-client-server-protocol http //www.waveprotocol.org/draft-protocol-spec ：http //www.waveprotocol.org/whitepapers/google-wave-architecture ネタ： http //jp.techcrunch.com/archives/20090528what-just-happened-thursday-was-supposed-to-be-bing-day/ http //jp.techcrunch.com/archives/20090528google-wave-drips-with-ambition-can-it-fulfill-googles-grand-web-vision/ http //github.com/diminish7/rave/tree/master http //github.com/JackDanger/wave/tree/master http //github.com/MikeSofaer/Wave-Robot-Sinatra-Template/tree/master http //github.com/rubys/wave-robot-ruby-client/tree/master http //github.com/vidarh/wave-gadget-emulator/tree/master http //github.com/avital/wave-gadget-todo/tree/master